沙丘2

“《沙丘》的故事情节就跟制作电影的过程一样精细而复杂。”

——执行制片人监作者坦尼亚·拉朋特

在弗兰克·赫伯特的《沙丘》中，我最喜欢的一句话是“计中计”。它不仅概括了小说故事情节的复杂性和信息密度，而且准确地描述了电影制作过程。就像俄罗斯套娃一样，电影的制作过程中也有很多看不见的部分。你永远不知道有多少层嵌套，直到你着手把它们拆解开来。

作为《沙丘》的执行制片人，我参与了所有的制作会议和艺术决策。我的首要任务是将导演丹尼斯·维伦纽瓦的想象变为现实。在过去的五年里，这位法裔加拿大电影人一直都在和我一起工作生病时也不例外，先是《降临》，然后是《银翼杀手2049》，现在是《沙丘》。我近距离地目睹了他的创作过程，并一次又一次地见证了他制作独具一格、充满智慧又感人至深的科幻电影的决心。

改编弗兰克·赫伯特的小说一向是庞大艰巨的任务。如果你读过这部1965年出版的杰作，你一定对此了然于胸。《沙丘》讲述了保罗·厄崔迪的故事，他在郁郁葱葱的卡拉丹星球出生并长大，父亲是雷托·厄崔迪公爵，母亲杰西卡夫人是掌控着血统传承的贝尼·杰瑟里特姐妹会的成员。当皇帝——帝国的统治者——命令厄崔迪家族迁往一颗名为“厄拉科斯”，又被称作沙丘”的沙漠星球时，这位年轻继承人的平静生活结束了。这颗星球是已知宇宙中唯一可以找到并收集香料的地方。香料是一种精神药物，可以提供太空旅行所需的预见能力。帝国的香料贸易堪比真实世界的石油工业。

在过去的八十年里，厄拉科斯一直由冷酷无情的哈克南家族控，这一地位使得该家族非常富有。弗拉基米尔·哈克南男爵，一个肥胖而又残忍的人，不愿看到这颗星球落入他的死敌厄崔迪家之手，于是着手酝酿复仇计划。同时，当地凶猛的沙漠战士群“弗雷曼人”称保罗为“李桑·阿尔－盖布”，意思是“天外之音”，指的是贝尼·杰瑟里特在很久以前就种下的传说和迷信。

据这些信仰，年轻的保罗是一位救世主，将带领弗雷曼人获得救。这个男孩经历了他的第一次香料幻觉后，开始认为这个预言可是真的。雷托公爵试图与弗雷曼人结成联盟，但为时已晚：哈克男家族大举进攻，在皇帝的帮助下消灭了厄崔迪家族，而皇帝从一开始就参与了这个计划。巴罗和杰西卡摆脱了敌人，逃到沙漠深处，并在那里与弗雷曼人开始了新的旅程。

这的确是“计中计”。《沙丘》的故事情节就跟制作电影的过程一样精细而复杂。

文/布莱恩·赫伯特 凯文·J·安德森

1957年，为了写一篇介绍美国农业部某研究项目的杂志文章，弗兰克·赫伯特租了一架小型飞机，来到俄勒冈州海岸的沙丘。美国农业部开发了一种稳固沙层的方法，在沙丘顶部种植耐贫瘠的植物，以防止沙丘流动并吞没道路和建筑物。他打算给这篇文章定个标题，叫“他们挡住了流沙”。

回到家开始写这篇文章时，他意识到某种比杂志文章更宏大的东西。在飞行过程中，注视着像海上波浪一样的沙丘时，他感到了一种情感的牵引。他坐在打字机前，闭上眼睛，想象出一颗广阔的沙漠星球。他看到了一个像马赫迪一样的沙漠救世主骑着马，带着一支骑着马，带着一支骑着马和骆驼的杂乱军队，如雷霆般在沙漠中驰骋。这位领袖富有魅力，能够在他的人民当中激起狂热的忠诚。

渐渐地，这些画面在弗兰克·赫伯特的脑海中变得更宏达，更广阔，他创造了一整个由外星球组成的宇宙。这颗沙漠星球将是所有星球中最重要的，它盛产一种稀缺资源——名叫“美琅脂”。帝国政府和星际公司都需要这种资源，并为控制这种资源而大打出手。

这样一个故事需要一张非常大的画布。

弗兰克·赫伯特先于所有人看过一部《沙丘》电影——一场在他脑海中上演的史诗般的电影盛事：一场梦幻般的、弥赛亚式的幻象，然后他将其打造成了一部堪称有史以来最受推崇的科幻小说。

弗兰克·赫伯特一生都热爱相机和摄影。他在报纸行业中担任专栏作家，葡萄酒编辑和专业摄影师，通常为西海岸的赫斯特旗下的报纸工作。多年后，在指导他大儿子布莱恩从事写作时，他告诉儿子，他喜欢写描述性的段落，这就像透过相机的镜头，描述他所看到的东西。

作为示例，他讲到他是如何在《沙丘》中介绍邪恶的弗拉基米尔·哈克男爵的：从一间无窗的屋子中的黑影开始，“一只戴着光彩夺目的戒指的胖手”旋转着一颗未知星球的立体星球仪。画面徐徐展开，但并不是视觉上的。首先是声音：“星球仪旁边传出一阵嗤嗤的笑声，笑声中蹦出一个低沉的嗓音……”

弗兰克·赫伯特没有正面描述男爵的外貌，而是让这个卑鄙的人用隆隆的、低沉的、冷酷的声音密谋对付高贵的雷托公爵和厄崔迪家族的计划，这种充满杀意的举止，恐吓和威胁着房间里和其他人——彼得·德伏来和菲德-罗萨·哈克南。男爵动了一下，但还是让人没法看清。相反，他“在星球仪旁的暗影中动了动身子。”

在整个章节中，作者慢慢地向读者透露了越来越多的信息，就像照相机镜头的光圈逐渐打开一样。经过三千字的悬念铺垫，男爵终于被正面描述。“当她从阴影中现身的时候，映入眼帘的是一个极为庞大的身形——不论从质量上还是体积上——和一身肥肉。他穿着黑色长袍，衣服的褶皱下有一些细微的隆起，可以看出他身上装着便携式浮空器，拖着那身肥肉。”

《沙丘》是一个极其生动、复杂，且十分完整的故事，充满了独特的想法和令人难以置信的异国情调。每一个度过这部经典小说的人，都会想象和塑造出他们自己的保罗·穆阿迪布、雷托·厄崔迪公爵、杰西卡夫人、哈克南男爵、野兽拉班、邓肯·艾达荷、哥尼·哈莱克、杜菲·哈瓦特……从而欣赏到属于他们自己的电影。

已有其他电影人将他们对《沙丘》的诠释搬上来银幕——大卫林奇1984年的电影和约翰·哈里森后来的迷你电视剧。在他们之前还有一些导演，其项目进行到了不同的阶段，但是没能将它搬上银幕。所有这些导演都是保罗的前辈，他们资源踏上沙丘星球上的炙热沙地，而这的确是对导演技巧的一次非常大的考验。

布莱恩清楚地记得，在《沙丘》最初的创作阶段，他在赫伯特大家庭里的经历。布莱恩记得自己听到父亲给母亲读了一段话：一个名叫保罗·厄崔迪的年轻人，被迫将受放进神秘的盒子里，而一个老妇人——圣母盖乌斯·海伦·莫西阿姆，用毒针顶着他的脖子。

听着听着，布莱恩被这戏剧性的场景和奇怪的话语缩吸引——戈姆刺、穆阿迪布、帕迪沙皇帝、魁萨茨·哈德拉克、厄拉克斯、贝尼·杰瑟里特。随着这些词语和名字从他父亲的舌头上滚落，以铿锵有力的声音发出，布莱恩沉醉于他门那沙哑、神秘的回响。

布莱恩后来才意识到，他听到的其实是《沙丘》的开头章节。

《沙丘》的故事在出版半个多世纪后仍然受到全世界的喜爱和推崇，而且它海将迎来更多的观众。

对传奇影业来说，导演丹尼斯·维伦纽瓦已经接受了这项兼具挑战——为弗兰克·赫伯特的杰作执导一部广受认可的电影版本。维伦纽瓦之前拍的两部科幻电影试水《降临》（2016）和《银翼杀手2049》（2017）——都是充满了想象色彩的视觉盛宴。现在，通过《沙丘》，他达成了足以确立自己地位的成就，这是一部卓越的电影，即使是最铁杆的弗兰克·赫伯特粉丝也不会失望。

任何改变自《沙丘》的电影，都是在弗兰克·赫伯特的奇幻宇宙所奠定的创意和所秒回的广博基础上进行的。“沙丘”正传系列给维伦纽瓦提供了大量素材，包括弗兰克·赫伯特的第一部小说以及它的五部续集《沙丘救世主》《沙丘之子》《沙丘神帝》《沙丘异端》《圣殿沙丘》——这些小说总共有一百多万字，跨越了五千年历史。除了这几部原著作品，我们还一起创作了许多畅销全球的小说，扩展了“沙丘”的历史和人物，从《沙丘》故事一万年前的巴特勒圣战和贝尼·杰瑟里特学校建立这样社员的故事起源，一直到五千年后的大结局。我们的后传和前传为“沙丘”传奇增加了数百万字，填补了雷托公爵的背景故事，讲述了他与卑鄙的哈克南男爵之初的冲突，以及雷托和杰西卡感人的爱情，保罗的诞生还有伊勒琅公主为了保罗·穆阿迪布的传奇一生编纂编年史所做的大量工作。

毕生的梦想

这部电影的诞生有一些偶然性。

这一切始于2016年9月的威尼斯电影节。在为新电影《降临》接受媒体采访时，丹尼斯告诉记者，他毕生的梦想就是改编弗兰克·赫伯特的《沙丘》。这句话并没有被忽视，很快就被一些新闻媒体报道了。这个新闻故事突然激发出来的兴趣让我们开始讨论这本小说。他当时是这么告诉我的。

《沙丘》是一部了不起的小说，一本伟大的书。它是一个非常难改编的故事，因为它是一部史诗般的太空歌剧，充满了复杂的主题。在我还是个十几岁的少年时，我就对它十分着迷。我把所有相关的书都读了个遍。我家里就有《沙丘百科全书》。我的毕业戒指内侧刻着“穆阿迪布”这个词，我的毕业年鉴里甚至有《沙丘》的摘抄。我很喜欢它。

小说的中心主题由宗教和政治交织而成。这本书对流行文化产生了巨大的影响，对我这个电影导演来说也是如此。

你可以在《银翼杀手2049》中看到来自《沙丘》的灵感。更具体地说，是在尼安德·华莱士的办公室里。这种灵感体现在它的规模、风格和色彩上。我很想在沙漠中拍摄《沙丘》。沙漠恰好是全世界我最喜欢的地方。

两年半后，丹尼斯毕生的梦想将成为现实。

YO！今年我最期待的电影之一《沙丘2》...的预告！终于来了！

这支充满艺术视觉的预告到底透露了多少细节信息，今天这期我们就来好好聊聊！

在解析这支预告过程中，我会穿插第一部《沙丘》和小说沙丘的故事，嗯，会有第二部的剧透，尽量不涉及关键，其实嘛就算剧透也应该对大家到时看《沙丘2》影响不大，维伦纽瓦的片子，视听享受看个电影感氛围才是最重要的。

那废话不多说，咱们开挖！

预告第一个画面，当然是厄拉科斯星球，也就是我们熟知的沙丘星球的画面。

厄崔迪家族现任公爵保罗，在和厄拉科斯的弗雷曼人契妮坐在沙漠上拍拖，小两口看着一望无际的沙子和其中夹杂的香料你侬我侬。

这时保罗说到，把眼前的沙想象成水，若你潜进去，根本深不见底。

保罗说这叫游泳，严谨来说应该叫潜水或浮潜吧，契妮听了觉得这也太鬼扯了吧，毕竟契妮根本无法想象沙子变成海洋的场景。

保罗这么说，其实是描绘了他的家乡卡拉丹星球，在前作我们就能看到卡拉丹是从不缺水的海洋之星，厄崔迪家族一直都在该星球繁衍生息。

就连他们的飞船也直接安置在海洋里，保罗对于水的了解，远比对沙子要懂得多。

随着厄崔迪家族日渐强大，被宇宙统治者帕迪沙皇帝心生嫉妒和担忧，于是便派遣厄崔迪家族一个棘手的任务，那就是从恶毒的哈克南家族手里，接管充满香料的厄拉科斯星球，由此挑起两家族的对战，皇帝暗中帮助哈克南家族，灭掉厄崔迪家族。

厄崔迪家族的公爵莱托，就在这场设下的陷阱中走向死亡，由保罗继承了公爵之名，之后保罗和他母亲杰西卡被流放到沙漠，保罗在前作通过械斗...不是，通过决斗，从而被弗雷曼人所接受，弗雷曼人开始相信保罗或许就是他们眼中的那位魁萨茨·哈德拉克，翻译就是秋森万救世主。

当然这段想象沙子变成水的对白，也预示了厄拉科斯星之后出现的“神迹”，如果影片到时也这么处理的话。

接下来就是弗雷曼人“八抬大轿”一个奇特的轿子，轿子里面坐着杰西卡女士。

先看这轿子的材质，显然是就地取材，材质像是沙虫脱落的皮屑组织，或者其他某种生物的皮或排泄物复合而成，造型采用流线型设计，看来弗雷曼人是懂风阻系数的，而且因为风沙很大，这轿子窗户部分开口很小，符合当地环境。

杰西卡坐在里面，可以看到她的妆容已经是弗雷曼人的圣母形象，眼睛是蓝色，这是常年在厄拉科斯星生活，呼吸进香料所导致，不过杰西卡的蓝眼睛有更特别的解释，后面会提到。

杰西卡脸上还有刺青，这个形象和前作保罗预见母亲未来的幻象是一致的。

这里为大白观众简单捋一捋，在沙丘宇宙，厄拉科斯星的香料相当于现实中的石油，人们想要进行遥远的星际远航，领航员必须吸食香料才能精准预判航道。

此外香料的功用还有很多就不展开了，总之就是神丹妙药，服用延年益寿，样子也变得和以前大不同呢，变样后异形都会爱上。

《沙丘》中有一句最经典的话：“谁掌握香料，谁就能掌握宇宙！”

另外沙丘宇宙还有一个神秘组织，就是杰西卡所属的贝尼·杰瑟里特姐妹会，该组织经过多年的发展，已经渗入到了帝国政治的核心圈，同样几乎每个大家族的领导层，都会有姐妹会的成员出没。

姐妹会的最终目标是某成员生下救世主，带来繁荣，不过还没算好之前，大家都只能生女儿，杰西卡则违背了教条生下保罗，因为她觉得保罗就是那位秋森万。

我们接着看预告，旁白说着“厄拉科斯星藏着很多秘密，而最阴暗的秘密仍在进行，厄崔迪家族的结束”。

这句话由弗洛伦斯·皮尤，也就是白寡妇饰演伊如兰公主，对着录音笔念的，这句话其实就是告诉了观众前作发生的故事，厄拉科斯最阴暗的秘密，就是皇帝和哈克南家族联手干掉了厄崔迪家族。

伊如兰公主是皇帝的女儿，她是一位很重要的角色，伊如兰和保罗的关系匪浅，在这就不太多剧透了。

在小说中，每一个章节的文献引子，就是由伊如兰公主撰写的，她是整个沙丘故事的叙述者。伊如兰公主也是姐妹会的成员。

期间画面还放到一个士兵在焚烧堆成小山的尸体，这些尸体是厄崔迪的兵，在前作全被斩首，焚烧士兵的制服黑色系为主，是哈克南家族的人，仔细看头部还有个小风扇，带火兵种解暑用的吗。

当然制服还有一个作用，可能就是回收身体水分。

这个景象同样也被保罗在上一部预见到。

接着就是莱托公爵的画像被烧，预示着厄崔迪家族就此陨落。

但他们不知道，保罗正在崛起。

接着就是杰西卡对保罗说，你爸不希望冤冤相报。

反向我们知道保罗想要联和弗雷曼人，一起反抗哈克南家族，对抗皇帝。

这里杰西卡脸上没有纹身，眼睛也没有呈现蓝色，说明这应该是影片开始不久，杰西卡还没成为圣母前。

之后是一个看不清身影的人，结合后面保罗披着灰黑色披风，这人就是保罗。

能证实此人是保罗还有伊如兰公主后面说的，如果保罗还活着呢。

仔细看伊如兰旁边有个身着黑色衣服的人在跟着，和伊如兰平行走，所以此人不会是随从或仆人，黑色应该就是哈克南家族那边的，看这身高，可能是哈克南男爵，他们应该和伊如兰在谈论厄崔迪家族的事。

之后是哥尼·哈莱克拿着望远镜在看，哥尼是厄崔迪家族的将军，在那晚的偷袭中他没有大意，逃过一劫。

此时的哥尼看起来更忧桑，似笑非笑……

哥尼在小说中幸存后，也不知道保罗是死是活，于是在沙漠中成为类似于沙丘海盗的角色，做起了香料走私的生意，没办法，人活着总得混口饭吃。

接下来画面更艺术了，变成了黑白色，光头似乎是哈克南家族的优良基因，他叫菲德·罗萨·哈克南，是哈克南男爵的侄子，由出演过《猫王》的奥斯汀·巴特勒饰演。

菲德也是沙丘宇宙中的重要角色，为人疯疯癫癫，之前的作品他是这样的。

这里的菲德更增加了几分阴郁和捉摸不透的凶残，不过个人觉得《疯狂麦克斯4》的尼古拉斯·霍尔特那造型，放在菲德上也没有太多违和感。

结合后面的画面，这里的菲德在参加一个类似斗兽场的打斗中，他很喜欢这种一对一单挑带来的快感。

那么问题来了，菲德这风批为何第一部没有出现呢，小说中他应该一直跟着哈克南男爵的，这当然是怕出场角色太多，怕大家脸盲。

菲德所在的场景为何是黑白，我这里有几种猜测，第一就是菲德是在自家的星球GIEDI PRIME。

在前作我们有窥探到这颗星球夜晚的一些场景，是有颜色的，或许在白天，因为这颗星球中有某种成分，过滤掉了光线的色彩，导致呈现黑白。

可能该星球因为污染严重，高度工业化，所以空气中光线的折射变得没有颜色。

或许正是菲德喜欢待着自己星球，和他人进行决斗完虐他人，所以才懒得去和叔叔跑到厄拉科斯灭厄崔迪家族。

但因为哈克南男爵后来发现保罗没死，所以才让菲德来帮忙。

在小说中，菲德其实更效忠于皇帝，而非哈克南男爵，他也更喜欢在自己星球玩决斗。

那黑白场景另一个猜想，就是这是一个闪回，所以用了黑白处理，当然这样做就有点...不高级。毕竟前作保罗产生幻象时，都只是加强了颜色饱和度去区分，并没有用更多视觉处理手法。

最后还有一个猜想，就是此时场景就是在厄拉科斯星，预告中有呈现厄拉科斯星上空，出现的星象，或许某个时间点，光线的色彩被宇宙辐射吸收掉。

这里有个细节，就是和菲德决斗的男人，很像第一部中，同公爵和保罗他们一起开会，一起视察香料工厂的光头男。

如果这是同一个人，那么又会有两种脑洞，他是哈克南家族那边派去的卧底，毕竟他也是光头嘛，他已经混进到厄崔迪家族的核心管理层，厄崔迪家族被灭后，此人陪菲德在练习。

另外一个脑洞是他成了俘虏，在斗兽场和菲德决斗，我们能看到菲德两只手都握着武器，而他只有一个手有武器，处于劣势。

接下来是几个快切画面，保罗和契妮似乎在做一个秘密任务，引起了哈克南那边的武器响应，后面还有和小兵打斗画面。

之后又一个新角色登场，害我感觉这预告我光介绍角色就好了。

这新角色由007嫂雷娅·赛杜饰演玛戈夫人，玛戈夫人又是何许人也，她也是姐妹会成员，高冷范十足。

在小说中，玛戈夫人其实看在和杰西卡都是姐妹会成员面子上，有暗中给杰西卡通风报信，告诉她哈克南家族会暗算厄崔迪家族。

不过在影片中省略了，而是用了更隐晦的方式，让杰西卡自己悟到了可能这是一个陷阱，但她却没有阻止也无法阻止。

玛戈夫人的丈夫叫哈希米尔·芬宁伯爵，是一位门泰特，效忠于皇室。预告中没有出现他，也没有出现皇帝，不过第二部都会有，相信之后新预告就会出现了。

门泰特是啥，门泰特这个职业主要是拥有计算机运算能力的人类，心智被锻炼出极速的认知和分析能力，一般门泰特都是作为一个家族或首领军师的角色存在，用于分析敌方的情况并出谋划策。

第一部《沙丘》中由斯蒂芬·亨德森饰演的杜菲·哈瓦特，效忠于厄崔迪家族，他就拥有门泰特的能力，还是一名刺客大师。他看起来不像刺客对吧，我也觉得。

我们接着看预告，一只手放进一个四孔装置，这让人联想到第一部姐妹会测试保罗用的盒子，不过分析下来，更像是一个开门装置。

下一个镜头就是保罗他们准备进入一个圆形通道，从他们的装束来看，应该是保罗和杰西卡跟随契妮他们，第一次进入到弗雷曼人的地下之城。

再下一个画面，是一个黑衣祭祀一样的人，拿着一瓶精致装饰的水，这瓶子下端的设计，用了沙漠的沙丘造型。

这就是沙丘宇宙著名的生命之水。

水在厄拉科斯星是最宝贵的硬通货，精确到以滴来计量单位，除了香料没有什么比水更重要。

这里的生命之水并不是普通的水，而是沙虫流出的液体，沙虫很怕水，当沙虫遇到超量的水后，就会排出致命的液体，这种液体就是现在聊的生命之水。

人喝了这个生命之水，要么升仙，要么升天。贝尼·杰瑟里特姐妹会中，喝生命之水是一种考验，喝下后能存活就能升级成为圣母，并且和此前的圣母意识相联结，通晓更多宇宙奥秘。

预告有一个画面是杰西卡表情痛苦，就是她喝下生命之水的仪式过程，我们也知道最后杰西卡通过了考验，成为了弗雷曼人的圣母，坐上八抬大轿，有了一双特别蓝的眼睛。

这里多提一句，第一部我们知道杰西卡怀孕了，所以杰西卡喝下生命之水，胎中的宝宝直接升级，生下来就有着超能力，这里就不先展开了。

之后是预告的后半段，基本就是保罗如何成为沙虫骑士（骑手）的场景。

斯第尔格有再三强调告诉保罗，不要耍帅，不需要喊什么泰裤辣，要认真对待骑沙虫这件事情，保罗也谨听教诲。

训练保罗的人，应该就是预告中被哈克南士兵围堵的那位女弗雷曼人，她名字叫希沙克勒，在小说和以前作品中是男的，在这变成了女性中和了一下。

第一部也有类似的角色性别置换。

希沙克勒是弗雷曼人的沙虫骑手，应该就是由她来负责训练保罗，骑沙虫和驯化沙虫，是弗雷曼人并不陌生的作战方式了，当然，也并不是说有弗雷曼人都能成为骑手。

保罗这次挑战成为沙虫骑士，是他想要成为弗雷曼人领导者，让弗雷曼人坚信他是救世主重要的标志。

我们能看到保罗拿着震动器吸引沙虫，一旁的契妮很是担心，而且保罗当时眼睛还没有变成蓝色，说明骑沙虫应该是比较早发生的事情。

当保罗成功骑上沙虫后，众人欢呼，斯第尔格更是惊讶的说不出话来，或许在那一刻，他觉得弗雷曼人和厄拉科斯星有救了。

我们再聊下那位希沙克勒，她被哈克南士兵包围凶多吉少，旁边还有一只死掉的飞鸟，或许飞鸟是弗雷曼人通风报信的原始工具，但被哈克南人识破。

另外还想提一嘴契妮头上那一抹蓝色的头巾，很是枪眼，弗雷曼人的服装一般都以实用和素色为主，或者接近于沙丘黄色头巾布料。

这里契妮用了蓝色头巾，当然是凸显她为女主之一的重要，此外我觉得还有蓝色也是弗雷曼人很珍贵的颜色，蓝色代表了水源，也代表了神秘，他们常年吸食空气中的香料眼睛呈现蓝色，和蓝色头巾相呼应，只能说《沙丘》每个细节都很用心。

之后是好多家蜻蜓战机飞向沙漠，或许是哈克南的人去找寻保罗下落。

还有一个画面是弗雷曼人里，有好几个包裹严实的宗教角色，他们可能是准备给杰西卡做生命之水的仪式，也有可能是杰西卡已经成为圣母的正式穿着。

接下来契妮和保罗在沙漠中拥吻，证实两人恋情，这和开头的场景是同一场，或许这也是保罗准备第一次尝试骑沙虫前，两人的对话。

还有一个画面是菲德和玛戈夫人靠的很近，感觉两人下一秒就要亲上，但我觉得应该可能性不大，毕竟玛戈夫人名花有主，或许就是他们喜欢讲话方式靠很近，弄得很吊的感觉。

之后是杰西卡圣母说，我们带来了希望。而保罗反驳，这不是希望。

甜茶演技确实可以，生气暴怒起来的情绪很到位，第一部保罗当时对杰西卡生气，也是突然暴怒，吓了我一跳。

我们从预告可以看到，保罗似乎还会对杰西卡和她的姐妹会，把他变成“怪胎”耿耿于怀。

这里需要提一下的是，姐妹会确实想要培养救世主，但是是为了姐妹会，而不是为了弗雷曼人或厄拉科斯星。

但保罗现在是想要为父亲复仇，为争取弗雷曼人自由而奋斗，这里或许和杰西卡的姐妹会有些许理念冲突。

总之后来我们能看到，保罗高举起晶牙匕，万万弗雷曼人一呼百应，准备向哈克南家族和皇帝宣战。

这应该也是第二部的决战高潮戏份，在第一部保罗幻象中，就有呈现这样的景象。

所以如果觉得第一部决战像村口械斗的话，那么第二部大决战的惨烈和宏大，应该会比第一部要更具史诗和饱享视听盛宴了。

之后还有一个画面，是保罗和菲德单挑决斗，保罗说了句“愿你刀毁人亡”。这是弗雷曼人决斗的用语。

在第一部保罗和詹米决斗时，詹米就说过。

如果是按照仪式走的话，那么保罗说这句话，这场和菲德决斗应该是保罗提出的，而且这样的决斗，必须其中一方死掉。

那么这场决斗到底谁赢了呢？卖个关子留到影院去看吧！

那么《沙丘2》第一支预告解析就先聊那么多！你对《沙丘2》有什么期待？欢迎在留言区与我分享！

我们很快就听说，丹尼斯对《沙丘》的热情已经引起了努力争取该书版权的人的注意。

制片人玛丽·帕伦特和凯尔·博伊特都是弗兰克·赫伯特原著小说的粉丝，在他们加入传奇娱乐公司，分别担任全球制作副主席和创意事务执行副总裁之前，就已经开始求购这本书的电影版权了。

尽管这个故事是在20世纪60年代写就的，但它仍然有着极强的现实意义。”玛丽说，“从主题上讲，它描绘了全人类目前面临的挑战，例如生态崩溃的世界、腐败和不断移位的政治流沙。这些主题的中心，是一个年轻人努力驾驭我们的新世界的成长故事。”与赫伯特遗产管理会的沟通始于2012年。“我们开始了洽谈购买电影版权的征途，”凯尔回忆道，“我们在2016年加入了传奇公司，这让我们能够站在第一线，把制作这部电影列为当务之急。”几年来，各大电影公司一直在找弗兰克·赫伯特遗产管理会——由弗兰克·赫伯特的长子布莱恩·赫伯特、外孙拜伦·梅里特和孙女金·赫伯特管理——商谈购买《沙丘》的电影版权。

2015年2月，布莱恩和他的妻子扬前往洛杉矶，与传奇影业会面。“会议进行得非常顺利，”布莱恩回忆道，“但其他电影公司也有兴趣，遗产管理会要做出一项重要决定，这个决定将对’沙丘系列电影的未来产生至关重要的影响。”次年9月，当丹尼斯表达了他毕生的愿望——执导一部改编自《沙丘》小说的电影时，赫伯特遗产管理会心动了。“我们决定不和他直接联系，因为当时我们的工作室还没有建好。”布莱恩解释道。

To the people whose labors go beyond ideas into the realm of “real materials” —to the dry-land ecologists, wherever they may be, in whatever time they work, this effort at prediction is dedicated in humility and admiration.

Frank Herbert

1965

Book One: DUNE

CHAPTER 1

A beginning is the time for taking the most delicate care that the balances are correct. This every sister of the Bene Gesserit knows. To begin your study of the life of Muad‘Dib, then, take care that you first place him in his time: born in the 57th year of the Padishah Emperor, Shaddam IV. And take the most special care that you locate Muad’Dib in his place: the planet Arrakis. Do not be deceived by the fact that he was bom on Caladan and lived his first fifteen years there. Arrakis, the planet known as Dune, is forever his place.

-from “Manual of Muad’Dib” by the Princess Irulan

IN THE week before their departure to Arrakis, when all the final scurrying about had reached a nearly unbearable frenzy, an old crone came to visit the mother of the boy, Paul.

It was a warm night at Castle Caladan, and the ancient pile of stone that had served the Atreides family as home for twenty-six generations bore that cooledsweat feeling it acquired before a change in the weather.

The old woman was let in by the side door down the vaulted passage by Paul’s room and she was allowed a moment to peer in at him where he lay in his bed.

By the half-light of a suspensor lamp, dimmed and hanging near the floor, the awakened boy could see a bulky female shape at his door, standing one step ahead of his mother. The old woman was a witch shadow—hair like matted spiderwebs, hooded ’round darkness of features, eyes like glittering jewels.

“Is he not small for his age, Jessica?” the old woman asked. Her voice wheezed and twanged like an untuned baliset.

Paul’s mother answered in her soft contralto: “The Atreides are known to start late getting their growth, Your Reverence.”

“So I’ve heard, so I’ve heard,” wheezed the old woman. “Yet he’s already fifteen.”

“Yes, Your Reverence.”

“He’s awake and listening to us,” said the old woman. “Sly little rascal.” She chuckled. “But royalty has need of slyness. And if he’s really the Kwisatz Haderach … well….” Within the shadows of his bed, Paul held his eyes open to mere slits. Two bird-bright ovals—the eyes of the old woman—seemed to expand and glow as they stared into his.

“Sleep well, you sly little rascal,” said the old woman. “Tomorrow you’ll need all your faculties to meet my gom jabbar.” And she was gone, pushing his mother out, closing the door with a solid thump.

Paul lay awake wondering: What’s a gom jabbar? In all the upset during this time of change, the old woman was the strangest thing he had seen.

Your Reverence.

And the way she called his mother Jessica like a common serving wench instead of what she was—a Bene Gesserit Lady, a duke’s concubine and mother of the ducal heir.

Is a gom jabbar something of Arrakis I must know before we go there? he wondered.

He mouthed her strange words: Gomjabbar… Kwisatz Haderach.

There had been so many things to learn. Arrakis would be a place so different from Caladan that Paul’s mind whirled with the new knowledge.

Arrakis—Dune—Desert Planet.

Thufir Hawat, his father’s Master of Assassins, had explained it: their mortal enemies, the Harkonnens, had been on Arrakis eighty years, holding the planet in quasi-fief under a CHOAM Company contract to mine the geriatric spice, melange. Now the Harkonnens were leaving to be replaced by the House of Atreides in fief-complete-an apparent victory for the Duke Leto. Yet, Hawat had said, this appearance contained the deadliest peril, for the Duke Leto was popular among the Great Houses of the Landsraad.

“A popular man arouses the jealousy of the powerful,” Hawat had said.

Arrakis—Dune—Desert Planet.

Paul fell asleep to dream of an Arrakeen cavern, silent people all around him moving in the dim light of glowglobes. It was solemn there and like a cathedral as he listened to a faint sound—the drip-drip-drip of water. Even while he remained in the dream, Paul knew he would remember it upon awakening. He always remembered the dreams that were predictions.

The dream faded.

Paul awoke to feel himself in the warmth of his bed—thinking … thinking.

This world of Castle Caladan, without play or companions his own age, perhaps did not deserve sadness in farewell. Dr. Yueh, his teacher, had hinted that the faufreluches class system was not rigidly guarded on Arrakis. The planet sheltered people who lived at the desert edge without caid or bashar to command them: will-o’-the-sand people called Fremen, marked down on no census of the Imperial Regate.

Arrakis-Dune-Desert Planet.

Paul sensed his own tensions, decided to practice one of the mind-body lessons his mother had taught him. Three quick breaths triggered the responses: he fell into the floating awareness … focusing the consciousness … aortal dilation … avoiding the unfocused mechanism of consciousness … to be conscious by choice … blood enriched and swift-flooding the overload regions … one does not obtain food-safety-freedom by instinct alone … animal consciousness does not extend beyond the given moment nor into the idea that its victims may become extinct … the animal destroys and does not produce … animal pleasures remain close to sensation levels and avoid the perceptual … the human requires a background grid through which to see his universe … focused consciousness by choice, this forms your grid … bodily integrity follows nerveblood flow according to the deepest awareness of cell needs … all things/cells/beings are impermanent … strive for flow-permanence within….

Over and over and over within Paul’s floating awareness the lesson rolled.

When dawn touched Paul’s window sill with yellow light, he sensed it through closed eyelids, opened them, hearing then the renewed bustle and hurry in the castle, seeing the familiar patterned beams of his bedroom ceiling.

The hall door opened and his mother peered in, hair like shaded bronze held with black ribbon at the crown, her oval face emotionless and green eyes staring solemnly.

“You’re awake,” she said. “Did you sleep well?”

“Yes.” He studied the tallness of her, saw the hint of tension in her shoulders as she chose clothing for him from the closet racks. Another might have missed the tension, but she had trained him in the Bene Gesserit Way—in the minutiae of observation. She turned, holding a semiformal jacket for him. It carried the red Atreides hawk crest above the breast pocket.

“Hurry and dress,” she said. “Reverend Mother is waiting.”

“I dreamed of her once,” Paul said. “Who is she?”

“She was my teacher at the Bene Gesserit school. Now, she’s the Emperor’s Truthsayer. And Paul….” She hesitated. “You must tell her about your dreams.”

“I will. Is she the reason we got Arrakis?”

“We did not get Arrakis.” Jessica flicked dust from a pair of trousers, hung them with the jacket on the dressing stand beside his bed. “Don’t keep Reverend Mother waiting.” Paul sat up, hugged his knees. “What’s a gom jabbar?” Again, the training she had given him exposed her almost invisible hesitation, a nervous betrayal he felt as fear.

Jessica crossed to the window, flung wide the draperies, stared across the river orchards toward Mount Syubi. “You’ll learn about … the gom jabbar soon enough,” she said.

He heard the fear in her voice and wondered at it.

Jessica spoke without turning. “Reverend Mother is waiting in my morning room. Please hurry.” The Reverend Mother Gaius Helen Mohiam sat in a tapestried chair watching mother and son approach. Windows on each side of her overlooked the curving southern bend of the river and the green farmlands of the Atreides family holding, but the Reverend Mother ignored the view. She was feeling her age this morning, more than a little petulant. She blamed it on space travel and association with that abominable Spacing Guild and its secretive ways. But here was a mission that required personal attention from a Bene Gesserit-with-theSight. Even the Padishah Emperor’s Truthsayer couldn’t evade that responsibility when the duty call came.

Damn that Jessica! the Reverend Mother thought. If only she’d borne us a girl as she was ordered to do! Jessica stopped three paces from the chair, dropped a small curtsy, a gentle flick of left hand along the line of her skirt. Paul gave the short bow his dancing master had taught—the one used “when in doubt of another’s station.” The nuances of Paul’s greeting were not lost on the Reverend Mother. She said: “He’s a cautious one, Jessica.” Jessica’s hand went to Paul’s shoulder, tightened there. For a heartbeat, fear pulsed through her palm. Then she had herself under control. “Thus he has been taught, Your Reverence.” What does she fear? Paul wondered.

The old woman studied Paul in one gestalten flicker: face oval like Jessica’s, but strong bones … hair: the Duke’s black-black but with browline of the maternal grandfather who cannot be named, and that thin, disdainful nose; shape of directly staring green eyes: like the old Duke, the paternal grandfather who is dead.

Now, there was a man who appreciated the power ofbravura—even in death, the Reverend Mother thought.

“Teaching is one thing,” she said, “the basic ingredient is another. We shall see.” The old eyes darted a hard glance at Jessica. “Leave us. I enjoin you to practice the meditation of peace.” Jessica took her hand from Paul’s shoulder. “Your Reverence, I—”

“Jessica, you know it must be done.” Paul looked up at his mother, puzzled.

Jessica straightened. “Yes … of course.” Paul looked back at the Reverend Mother. Politeness and his mother’s obvious awe of this old woman argued caution. Yet he felt an angry apprehension at the fear he sensed radiating from his mother.

“Paul….” Jessica took a deep breath. “… this test you’re about to receive … it’s important to me.”

“Test?” He looked up at her.

“Remember that you’re a duke’s son,” Jessica said. She whirled and strode from the room in a dry swishing of skirt. The door closed solidly behind her.

Paul faced the old woman, holding anger in check. “Does one dismiss the Lady Jessica as though she were a serving wench?” A smile flicked the corners of the wrinkled old mouth. “The Lady Jessica was my serving wench, lad, for fourteen years at school.” She nodded. “And a good one, too. Now, you come here!” The command whipped out at him. Paul found himself obeying before he could think about it. Using the Voice on me, he thought. He stopped at her gesture, standing beside her knees.

“See this?” she asked. From the folds of her gown, she lifted a green metal cube about fifteen centimeters on a side. She turned it and Paul saw that one side was open—black and oddly frightening. No light penetrated that open blackness.

“Put your right hand in the box,” she said.

Fear shot through Paul. He started to back away, but the old woman said: “Is this how you obey your mother?” He looked up into bird-bright eyes.

Slowly, feeling the compulsions and unable to inhibit them, Paul put his hand into the box. He felt first a sense of cold as the blackness closed around his hand, then slick metal against his fingers and a prickling as though his hand were asleep.

A predatory look filled the old woman’s features. She lifted her right hand away from the box and poised the hand close to the side of Paul’s neck. He saw a glint of metal there and started to turn toward it.

“Stop!” she snapped.

Using the Voice again! He swung his attention back to her face.

“I hold at your neck the gom jabbar,” she said. “The gom jabbar, the highhanded enemy. It’s a needle with a drop of poison on its tip. Ah-ah! Don’t pull away or you’ll feel that poison.” Paul tried to swallow in a dry throat. He could not take his attention from the seamed old face, the glistening eyes, the pale gums around silvery metal teeth that flashed as she spoke.

“A duke’s son must know about poisons,” she said. “It’s the way of our times, eh? Musky, to be poisoned in your drink. Aumas, to be poisoned in your food. The quick ones and the slow ones and the ones in between. Here’s a new one for you: the gom jabbar. It kills only animals.” Pride overcame Paul’s fear. “You dare suggest a duke’s son is an animal?” he demanded.

“Let us say I suggest you may be human,” she said. “Steady! I warn you not to try jerking away. I am old, but my hand can drive this needle into your neck before you escape me.”

“Who are you?” he whispered. “How did you trick my mother into leaving me alone with you? Are you from the Harkonnens?”

“The Harkonnens? Bless us, no! Now, be silent.” A dry finger touched his neck and he stilled the involuntary urge to leap away.

“Good,” she said. “You pass the first test. Now, here’s the way of the rest of it: If you withdraw your hand from the box you die. This is the only rule. Keep your hand in the box and live. Withdraw it and die.” Paul took a deep breath to still his trembling. “If I call out there’ll be servants on you in seconds and you’ll die.”

“Servants will not pass your mother who stands guard outside that door.

Depend on it. Your mother survived this test. Now it’s your turn. Be honored.

We seldom administer this to men-children.” Curiosity reduced Paul’s fear to a manageable level. He heard truth in the old woman’s voice, no denying it. If his mother stood guard out there … if this were truly a test…. And whatever it was, he knew himself caught in it, trapped by that hand at his neck: the gom jabbar. He recalled the response from the Litany against Fear as his mother had taught him out of the Bene Gesserit rite.

“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain. ” He felt calmness return, said: “Get on with it, old woman.”

“Old woman!” she snapped. “You’ve courage, and that can’t be denied.

Well, we shall see, sirra.” She bent close, lowered her voice almost to a whisper.

“You will feel pain in this hand within the box. Pain. But! Withdraw the hand and I’ll touch your neck with my gom jabbar—the death so swift it’s like the fall of the headsman’s axe. Withdraw your hand and the gom jabbar takes you.

Understand?”

“What’s in the box?”

“Pain.” He felt increased tingling in his hand, pressed his lips tightly together. How could this be a test? he wondered. The tingling became an itch.

The old woman said: “You’ve heard of animals chewing off a leg to escape a trap? There’s an animal kind of trick. A human would remain in the trap, endure the pain, feigning death that he might kill the trapper and remove a threat to his kind.” The itch became the faintest burning. “Why are you doing this?” he demanded.

“To determine if you’re human. Be silent.” Paul clenched his left hand into a fist as the burning sensation increased in the other hand. It mounted slowly: heat upon heat upon heat … upon heat. He felt the fingernails of his free hand biting the palm. He tried to flex the fingers of the burning hand, but couldn’t move them.

“It burns,” he whispered.

“Silence!” Pain throbbed up his arm. Sweat stood out on his forehead. Every fiber cried out to withdraw the hand from that burning pit… but … the gom jabbar. Without turning his head, he tried to move his eyes to see that terrible needle poised beside his neck. He sensed that he was breathing in gasps, tried to slow his breaths and couldn’t.

Pain! His world emptied of everything except that hand immersed in agony, the ancient face inches away staring at him.

His lips were so dry he had difficulty separating them.

The burning! The burning! He thought he could feel skin curling black on that agonized hand, the flesh crisping and dropping away until only charred bones remained.

It stopped! As though a switch had been turned off, the pain stopped.

Paul felt his right arm trembling, felt sweat bathing his body.

“Enough,” the old woman muttered. “Kull wahad! No woman-child ever withstood that much. I must’ve wanted you to fail.” She leaned back, withdrawing the gom jabbar from the side of his neck. “Take your hand from the box, young human, and look at it.” He fought down an aching shiver, stared at the lightless void where his hand seemed to remain of its own volition. Memory of pain inhibited every movement. Reason told him he would withdraw a blackened stump from that box.

“Do it!” she snapped.

He jerked his hand from the box, stared at it astonished. Not a mark. No sign of agony on the flesh. He held up the hand, turned it, flexed the fingers.

“Pain by nerve induction,” she said. “Can’t go around maiming potential humans. There’re those who’d give a pretty for the secret of this box, though.” She slipped it into the folds of her gown.

“But the pain—” he said.

“Pain,” she sniffed. “A human can override any nerve in the body.” Paul felt his left hand aching, uncurled the clenched fingers, looked at four bloody marks where fingernails had bitten his palm. He dropped the hand to his side, looked at the old woman. “You did that to my mother once?”

“Ever sift sand through a screen?” she asked.

The tangential slash of her question shocked his mind into a higher awareness: Sand through a screen. He nodded.

“We Bene Gesserit sift people to find the humans.” He lifted his right hand, willing the memory of the pain. “And that’s all there is to it—pain?”

“I observed you in pain, lad. Pain’s merely the axis of the test. Your mother’s told you about our ways of observing. I see the signs of her teaching in you. Our test is crisis and observation.” He heard the confirmation in her voice, said: “It’s truth!” She stared at him. He senses truth! Could he be the one? Could he truly be the one? She extinguished the excitement, reminding herself: “Hope clouds observation.”

“You know when people believe what they say,” she said.

“I know it.” The harmonics of ability confirmed by repeated test were in his voice. She heard them, said: “Perhaps you are the Kwisatz Haderach. Sit down, little brother, here at my feet.”

“I prefer to stand.”

“Your mother sat at my feet once.”

“I’m not my mother.”

“You hate us a little, eh?” She looked toward the door, called out: “Jessica!” The door flew open and Jessica stood there staring hard-eyed into the room.

Hardness melted from her as she saw Paul. She managed a faint smile.

“Jessica, have you ever stopped hating me?” the old woman asked.

“I both love and hate you,” Jessica said. “The hate—that’s from pains I must never forget. The love—that’s….”

“Just the basic fact,” the old woman said, but her voice was gentle. “You may come in now, but remain silent. Close that door and mind it that no one interrupts us.” Jessica stepped into the room, closed the door and stood with her back to it.

My son lives, she thought. My son lives and is… human. I knew he was … but … he lives. Now, I can go on living. The door felt hard and real against her back.

Everything in the room was immediate and pressing against her senses.

My son lives.

Paul looked at his mother. She told the truth. He wanted to get away alone and think this experience through, but knew he could not leave until he was dismissed. The old woman had gained a power over him. They spoke truth. His mother had undergone this test. There must be terrible purpose in it … the pain and fear had been terrible. He understood terrible purposes. They drove against all odds. They were their own necessity. Paul felt that he had been infected with terrible purpose. He did not know yet what the terrible purpose was.

“Some day, lad,” the old woman said, “you, too, may have to stand outside a door like that. It takes a measure of doing.” Paul looked down at the hand that had known pain, then up to the Reverend Mother. The sound of her voice had contained a difference then from any other voice in his experience. The words were outlined in brilliance. There was an edge to them. He felt that any question he might ask her would bring an answer that could lift him out of his flesh-world into something greater.

“Why do you test for humans?” he asked.

“To set you free.”

“Free?”

“Once men turned their thinking over to machines in the hope that this would set them free. But that only permitted other men with machines to enslave them.”

“ ‘Thou shalt not make a machine in the likeness of a man’s mind,’ ” Paul quoted.

“Right out of the Butlerian Jihad and the Orange Catholic Bible,” she said.

“But what the O.C. Bible should’ve said is: ‘Thou shalt not make a machine to counterfeit a human mind.’ Have you studied the Mentat in your service?”

“I’ve studied with Thufir Hawat.”

“The Great Revolt took away a crutch,” she said. “It forced human minds to develop. Schools were started to train human talents.”

“Bene Gesserit schools?” She nodded. “We have two chief survivors of those ancient schools: the Bene Gesserit and the Spacing Guild. The Guild, so we think, emphasizes almost pure mathematics. Bene Gesserit performs another function.”

“Politics,” he said.

“Kull wahad!” the old woman said. She sent a hard glance at Jessica.

“I’ve not told him, Your Reverence,” Jessica said.

The Reverend Mother returned her attention to Paul. “You did that on remarkably few clues,” she said. “Politics indeed. The original Bene Gesserit school was directed by those who saw the need of a thread of continuity in human affairs. They saw there could be no such continuity without separating human stock from animal stock—for breeding purposes.” The old woman’s words abruptly lost their special sharpness for Paul. He felt an offense against what his mother called his instinct for rightness. It wasn’t that Reverend Mother lied to him. She obviously believed what she said. It was something deeper, something tied to his terrible purpose.

He said: “But my mother tells me many Bene Gesserit of the schools don’t know their ancestry.”

“The genetic lines are always in our records,” she said. “Your mother knows that either she’s of Bene Gesserit descent or her stock was acceptable in itself.”

“Then why couldn’t she know who her parents are?”

“Some do…. Many don’t. We might, for example, have wanted to breed her to a close relative to set up a dominant in some genetic trait. We have many reasons.” Again, Paul felt the offense against rightness. He said: “You take a lot on yourselves.” The Reverend Mother stared at him, wondering: Did I hear criticism in his voice? “We carry a heavy burden,” she said.

Paul felt himself coming more and more out of the shock of the test. He leveled a measuring stare at her, said: “You say maybe I’m the … Kwisatz Haderach. What’s that, a human gom jabbar?”

“Paul,” Jessica said. “You mustn’t take that tone with—”

“I’ll handle this, Jessica,” the old woman said. “Now, lad, do you know about the Truthsayer drug?”

“You take it to improve your ability to detect falsehood,” he said. “My mother’s told me.”

“Have you ever seen truthtrance?”

He shook his head. “No.”

“The drug’s dangerous,” she said, “but it gives insight. When a Truthsayer’s gifted by the drug, she can look many places in her memory—in her body’s memory. We look down so many avenues of the past … but only feminine avenues.” Her voice took on a note of sadness. “Yet, there’s a place where no Truthsayer can see. We are repelled by it, terrorized. It is said a man will come one day and find in the gift of the drug his inward eye. He will look where we cannot—into both feminine and masculine pasts.”

“Your Kwisatz Haderach?”

“Yes, the one who can be many places at once: the Kwisatz Haderach. Many men have tried the drug … so many, but none has succeeded.”

“They tried and failed, all of them?”

“Oh, no.” She shook her head. “They tried and died.”

CHAPTER 6

How do we approach the study of Muad‘Dib’s father? A man of surpassing warmth and surprising coldness was the Duke Leto Atreides. Yet, many facts open the way to this Duke: his abiding love for his Bene Gesserit lady; the dreams he held for his son; the devotion with which men served him. You see him there—aman snared by Destiny, a lonely figure with his light dimmed behind the glory of his son. Still, one must ask: What is the son but an extension of the father?

—from“Muad’Dib, Family Commentaries”by the Princess Irulan

PAUL WATCHED his father enter the training room, saw the guards take up stations outside. One of them closed the door. As always, Paul experienced a sense of presence in his father, someone totally here.

The Duke was tall, olive-skinned. His thin face held harsh angles warmed only by deep gray eyes. He wore a black working uniform with red armorial hawk crest at the breast. A silvered shield belt with the patina of much use girded his narrow waist.

The Duke said: “Hard at work, Son?” He crossed to the ell table, glanced at the papers on it, swept his gaze around the room and back to Paul. He felt tired, filled with the ache of not showing his fatigue. I must use every opportunity to rest during the crossing to Arrakis, he thought. There’ll be no rest on Arrakis.

“Not very hard,”Paul said. “Everything’s so….”He shrugged.

“Yes. Well, tomorrow we leave. It’ll be good to get settled in our new home, put all this upset behind.” Paul nodded, suddenly overcome by memory of the Reverend Mother’s words: “…for the father, nothing.”

“Father,”Paul said, “will Arrakis be as dangerous as everyone says?” The Duke forced himself to the casual gesture, sat down on a corner of the table, smiled. A whole pattern of conversation welled up in his mind—the kind of thing he might use to dispel the vapors in his men before a battle. The pattern froze before it could be vocalized, confronted by the single thought: This is my son.

“It’ll be dangerous,”he admitted.

“Hawat tells me we have a plan for the Fremen,”Paul said. And he wondered: Why don’t I tell him what that old woman said? How did she seal my tongue? The Duke noted his son’s distress, said: “As always, Hawat sees the main chance. But there’s much more. I see also the Combine Honnete Ober Advancer Mercantiles—the CHOAM Company. By giving me Arrakis, His Majesty is forced to give us a CHOAM directorship … a subtle gain.”

“CHOAM controls the spice,”Paul said.

“And Arrakis with its spice is our avenue into CHOAM,”the Duke said.

“There’s more to CHOAM than melange.”

“Did the Reverend Mother warn you?”Paul blurted. He clenched his fists, feeling his palms slippery with perspiration. The effort it had taken to ask that question.

“Hawat tells me she frightened you with warnings about Arrakis,”the Duke said. “Don’t let a woman’s fears cloud your mind. No woman wants her loved ones endangered. The hand behind those warnings was your mother’s. Take this as a sign of her love for us.”

“Does she know about the Fremen?”

“Yes, and about much more.”

“What?” And the Duke thought: The truth could be worse than he imagines, but even dangerous facts arevaluable if you’ve been trained to deal with them. And there’s one place where nothing has been spared for my son—dealingwith dangerous facts. This must be leavened, though; he is young.

“Few products escape the CHOAM touch,”the Duke said. “Logs, donkeys, horses, cows, lumber, dung, sharks, whale fur—the most prosaic and the most exotic … even our poor pundi rice from Caladan. Anything the Guild will transport, the art forms of Ecaz, the machines of Richesse and Ix. But all fades before melange. A handful of spice will buy a home on Tupile. It cannot be manufactured, it must be mined on Arrakis. It is unique and it has true geriatric properties.”

“And now we control it?”

“To a certain degree. But the important thing is to consider all the Houses that depend on CHOAM profits. And think of the enormous proportion of those profits dependent upon a single product—the spice. Imagine what would happen if something should reduce spice production.”

“Whoever had stockpiled melange could make a killing,”Paul said. “Others would be out in the cold.” The Duke permitted himself a moment of grim satisfaction, looking at his son and thinking how penetrating, how truly educated that observation had been.

He nodded. “The Harkonnens have been stockpiling for more than twenty years.”

“They mean spice production to fail and you to be blamed.”

“They wish the Atreides name to become unpopular,”the Duke said. “Think of the Landsraad Houses that look to me for a certain amount of leadership— their unofficial spokesman. Think how they’d react if I were responsible for a serious reduction in their income. After all, one’s own profits come first. The Great Convention be damned! You can’t let someone pauperize you!”A harsh smile twisted the Duke’s mouth. “They’d look the other way no matter what was done to me.”

“Even if we were attacked with atomics?”

“Nothing that flagrant. No open defiance of the Convention. But almost anything else short of that … perhaps even dusting and a bit of soil poisoning.”

“Then why are we walking into this?”

“Paul!”The Duke frowned at his son. “Knowing where the trap is—that’s the first step in evading it. This is like single combat, Son, only on a larger scale —a feint within a feint within a feint … seemingly without end. The task is to unravel it. Knowing that the Harkonnens stockpile melange, we ask another question: Who else is stockpiling? That’s the list of our enemies.”

“Who?”

“Certain Houses we knew were unfriendly and some we’d thought friendly.

We need not consider them for the moment because there is one other much more important: our beloved Padishah Emperor.” Paul tried to swallow in a throat suddenly dry. “Couldn’t you convene the Landsraad, expose—”

“Make our enemy aware we know which hand holds the knife? Ah, now, Paul—we see the knife, now. Who knows where it might be shifted next? If we put this before the Landsraad it’d only create a great cloud of confusion. The Emperor would deny it. Who could gainsay him? All we’d gain is a little time while risking chaos. And where would the next attack come from?”

“All the Houses might start stockpiling spice.”

“Our enemies have a head start—too much of a lead to overcome.”

“The Emperor,”Paul said. “That means the Sardaukar.”

“Disguised in Harkonnen livery, no doubt,”the Duke said. “But the soldier fanatics nonetheless.”

“How can Fremen help us against Sardaukar?”

“Did Hawat talk to you about Salusa Secundus?”

“The Emperor’s prison planet? No.”

“What if it were more than a prison planet, Paul? There’s a question you never hear asked about the Imperial Corps of Sardaukar: Where do they come from?”

“From the prison planet?”

“They come from somewhere.”

“But the supporting levies the Emperor demands from—”

“That’s what we’re led to believe: they’re just the Emperor’s levies trained young and superbly. You hear an occasional muttering about the Emperor’s training cadres, but the balance of our civilization remains the same: the military forces of the Landsraad Great Houses on one side, the Sardaukar and their supporting levies on the other. And their supporting levies, Paul. The Sardaukar remain the Sardaukar.”

“But every report on Salusa Secundus says S.S. is a hell world!”

“Undoubtedly. But if you were going to raise tough, strong, ferocious men, what environmental conditions would you impose on them?”

“How could you win the loyalty of such men?”

“There are proven ways: play on the certain knowledge of their superiority, the mystique of secret covenant, the esprit of shared suffering. It can be done. It has been done on many worlds in many times.” Paul nodded, holding his attention on his father’s face. He felt some revelation impending.

“Consider Arrakis,”the Duke said. “When you get outside the towns and garrison villages, it’s every bit as terrible a place as Salusa Secundus.” Paul’s eyes went wide. “The Fremen!”

“We have there the potential of a corps as strong and deadly as the Sardaukar. It’ll require patience to exploit them secretly and wealth to equip them properly. But the Fremen are there … and the spice wealth is there. You see now why we walk into Arrakis, knowing the trap is there.”

“Don’t the Harkonnens know about the Fremen?”

“The Harkonnens sneered at the Fremen, hunted them for sport, never even bothered trying to count them. We know the Harkonnen policy with planetary populations—spend as little as possible to maintain them.” The metallic threads in the hawk symbol above his father’s breast glistened as the Duke shifted his position. “You see?”

“We’re negotiating with the Fremen right now,”Paul said.

“I sent a mission headed by Duncan Idaho,”the Duke said. “A proud and ruthless man, Duncan, but fond of the truth. I think the Fremen will admire him.

If we’re lucky, they may judge us by him: Duncan, the moral.”

“Duncan, the moral,”Paul said, “and Gurney the valorous.”

“You name them well,”the Duke said.

And Paul thought: Gurney’s one of those the Reverend Mother meant, a supporter of worlds—“… the valor of the brave. ”

“Gurney tells me you did well in weapons today,”the Duke said.

“That isn’t what he told me.” The Duke laughed aloud. “I figured Gurney to be sparse with his praise. He says you have a nicety of awareness—in his own words—of the difference between a blade’s edge and its tip.”

“Gurney says there’s no artistry in killing with the tip, that it should be done with the edge.”

“Gurney’s a romantic,”the Duke growled. This talk of killing suddenly disturbed him, coming from his son. “I’d sooner you never had to kill … but if the need arises, you do it however you can—tip or edge.”He looked up at the skylight, on which the rain was drumming.

Seeing the direction of his father’s stare, Paul thought of the wet skies out there—a thing never to be seen on Arrakis from all accounts—and this thought of skies put him in mind of the space beyond. “Are the Guild ships really big?” he asked.

The Duke looked at him. “This will be your first time off planet,”he said.

“Yes, they’re big. We’ll be riding a Heighliner because it’s a long trip. A Heighliner is truly big. Its hold will tuck all our frigates and transports into a little corner—we’ll be just a small part of the ship’s manifest.”

“And we won’t be able to leave our frigates?”

“That’s part of the price you pay for Guild Security. There could be Harkonnen ships right alongside us and we’d have nothing to fear from them.

The Harkonnens know better than to endanger their shipping privileges.”

“I’m going to watch our screens and try to see a Guildsman.”

“You won’t. Not even their agents ever see a Guildsman. The Guild’s as jealous of its privacy as it is of its monopoly. Don’t do anything to endanger our shipping privileges, Paul.”

“Do you think they hide because they’ve mutated and don’t look … human anymore?”

“Who knows?”The Duke shrugged. “It’s a mystery we’re not likely to solve.

We’ve more immediate problems—among them: you.”

“Me?”

“Your mother wanted me to be the one to tell you, Son. You see, you may have Mentat capabilities.” Paul stared at his father, unable to speak for a moment, then: “A Mentat? Me? But I….”

“Hawat agrees, Son. It’s true.”

“But I thought Mentat training had to start during infancy and the subject couldn’t be told because it might inhibit the early….”He broke off, all his past circumstances coming to focus in one flashing computation. “I see,”he said.

“A day comes,”the Duke said, “when the potential Mentat must learn what’s being done. It may no longer be done to him. The Mentat has to share in the choice of whether to continue or abandon the training. Some can continue; some are incapable of it. Only the potential Mentat can tell this for sure about himself.” Paul rubbed his chin. All the special training from Hawat and his mother— the mnemonics, the focusing of awareness, the muscle control and sharpening of sensitivities, the study of languages and nuances of voices—all of it clicked into a new kind of understanding in his mind.

“You’ll be the Duke someday, Son,”his father said. “A Mentat Duke would be formidable indeed. Can you decide now … or do you need more time?” There was no hesitation in his answer. “I’ll go on with the training.”

“Formidable indeed,”the Duke murmured, and Paul saw the proud smile on his father’s face. The smile shocked Paul: it had a skull look on the Duke’s narrow features. Paul closed his eyes, feeling the terrible purpose reawaken within him. Perhaps being a Mentat is terrible purpose, he thought.

But even as he focused on this thought, his new awareness denied it.

文/丹尼斯·维伦纽瓦

沙漠能在人心中激发出一种深沉的孤独感。它能唤起吴可儿逃避的自省。像显微镜一样，沙漠能放大我们的生存恐惧。我们从一切社会结构中剥离出来，被赤裸裸地扔在那里，迎头撞上无限的空间和时间所带来的眩晕。沙漠如同催眠一般，将我们带回人类资深存在的先决条件。它引发出快乐、谦逊、由于，有时甚至是一种荒凉的恐怖。正是这种与世隔绝的感觉点燃了《沙丘》制作设计灵感。

我立即想到，艺术指导帕特里斯·弗米特将是执行这项任务的完美人选。他对探索新的创造性领域的巨大热情，使他成为理所当然的选择。我需要他狂野的想象力和狂热的激情，但也需要他绝佳的感知力。我相信，帕特里斯会理解我的目标是什么。我还知道，他在艺术上足够疯狂，他能找到一种方法，触碰到这场海市蜃楼的边缘。

1965年创作《沙丘》时，弗拉克·赫伯特正在遥远未来的未知风暴中。几十年后，帕特里斯不得不重走此路，从而用视觉形象呈现出作者在小说中想象出的一切。我知道帕特里斯将帮助我创造我们从未见过的世界，并将我们在阅读这部著作时脑海中所呈现出的画面带到大银幕上。

对我来说，重要的是沙丘迷们认可这是弗兰克·赫伯特对这个宇宙的描绘，或者至少，让他们感受到电影与这本书的精神有着深刻联系。我们试图尽可能地忠实于它，但有时候，由于对原著纯粹的热爱，我们也可能逸出小说的边界。将一个故事搬上大银幕需要改变其形态。这是一种必要之举。为了忠实地改编他人作品的诗意和精髓，你有时需要在某些方面背离它，然后，心平气和地接受了这一决定，从而创造性地走出困境。一旦开始穿越沙漠，你就不能停下。你必须向前走。

设计和拍摄这部电影过程中，我一直津贴弗兰克·赫伯特的文字。如果没有他的文字，我将永远无法找到自己的路，去穿越这些焦灼的幻象。

请欣赏帕特里斯和所有与我们合作的艺术家的作品。